There is trend in the Linux world to ditch JACK in favor of running your DAW directly on ALSA. For the record, I am currently using Linux Mint 20.2 with the 5.13.0.35-lowlatency Linux kernel, Ardour 6.9, and qjackctl 0.5.0
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I struggled a bit with my first interface on Linux, so for the sake of any newbies reading this I’ll briefly describe how to get it up and running. For some reason my Focusrite Scarlett 2i2 couldn’t do that, so that’s kind of nice. The phantom power works well, and I can use a dynamic mic and a condenser side by side. But it’s a feature I will probably never use. If I had a separate control room I could use the ALT 3-4 as a voice communication channel that would be kept out of the recorded audio. For the life of me I can’t see how this could be useful for my studio setup. The mute button on each channel is actually a toggle switch to change the output of a track to the “ALT 3-4” output, which has a separate output level slider and line out jacks on the back of the mixer.
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I have never used the auxiliary send channels, but maybe I will after my MOD Dwarf Founders Edition finally comes in the mail. You can control the level of individual channels to each auxiliary send. The board also has 2 mono auxiliary sends that can receive a stereo signal back from an external effects pedal. That is technically true, but you don’t have fine control over the individual levels of all 12 inputs because of the way they are lumped into channels. If you are counting, that is a total of 6 channels with 2 inputs each, which is why this thing is advertised as a 12-input mixer. There are also two stereo line in channels which don’t have a high-pass filter, gain knob, or compressor - just a switch to toggle between +4 dB and -10 dB gain.
With the exception of the gain control I haven’t used these much in the studio, but I want to experiment with the compressor and EQ on my next project to see if I can get by with using fewer digital effects in my DAW. Every channel has a 75 Hz high-pass filter on/off switch, gain control knob, 1-knob compressor, 3-band equalizer, 2 auxiliary send level controls, stereo panner, mute button, and output level slider. During the gig we ran a microphone through each channel’s XLR and an instrument through each channel’s 1/4″ jack. It has four regular input channels, each with a 1/4″ jack and an XLR input. The Xenyx 1204USB has more features than I really need or use. The mixer is sitting on the little table on the left side of the screen. Here is a video of the gig, if you are interested: SkullToast LIVE. The electric guitar and bass were played through their amps rather than through the PA, and for a gig that small this worked just fine. The Xenyx 1204USB worked great for the gig, having just enough inputs to run our microphones and acoustic instruments through. They are also a good bang-for-your-buck purchase, and I have been really happy with my Behringer DI box. I looked for options online, and gravitated to the Behringer models because they are USB class compliant and work out of the box on Linux. It was clear from this first practice that we needed at least a PA system for our singing, and probably a mixing board to feed into the PA. I brought my kids into the living room for a band practice and we played through a bunch of songs to decide which ones to include in our set.
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They decided to schedule a free concert at a city park in order to motivate themselves to practice, and they invited me and my kids to play with them. One of my neighbors plays trumpet, and is in a brass quintet with a few other guys. Until August 2021 I hadn’t played a serious gig for over 20 years. Over time I ran into a few situations where it would have been nice to have more than 2 inputs to record simultaneously from, but I mostly record by myself in a home studio, so this wasn’t a major limitation. (According to online discussions I have read, Focusrite 3rd generation devices are not quite as open as the 2nd generation devices, but obviously that didn’t affect my hardware.) I was pretty satisfied with the Focusrite device, which was ageing pretty well. I have been the happy owner of a 2nd generation Focusrite Scarlett 2i2 since 2016, which I used to record all of my music on a Linux workstation for about 5 years. This post will describe my reasons for purchasing this particular model, how easy it is to use in my Linux studio, some of its limitations and drawbacks, and other sundry observations.
During the summer of 2021 I purchased a Behringer Xenyx 1204USB mixer/USB audio interface, and I have been using it in my Linux home studio ever since.
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